Dyck, Anthony van
Flemish Baroque Era Painter, 1599-1641 Flemish painter and draughtsman, active also in Italy and England. He was the leading Flemish painter after Rubens in the first half of the 17th century and in the 18th century was often considered no less than his match. A number of van Dyck's studies in oil of characterful heads were included in Rubens's estate inventory in 1640, where they were distinguished neither in quality nor in purpose from those stocked by the older master. Although frustrated as a designer of tapestry and, with an almost solitary exception, as a deviser of palatial decoration, van Dyck succeeded brilliantly as an etcher. He was also skilled at organizing reproductive engravers in Antwerp to publish his works, in particular The Iconography (c. 1632-44), comprising scores of contemporary etched and engraved portraits, eventually numbering 100, by which election he revived the Renaissance tradition of promoting images of uomini illustri. His fame as a portrait painter in the cities of the southern Netherlands, as well as in London, Genoa, Rome and Palermo, has never been outshone; and from at least the early 18th century his full-length portraits were especially prized in Genoese, British and Flemish houses,

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Dyck, Anthony van Portrait of Venetia, Lady Digby oil painting


Portrait of Venetia, Lady Digby
1633-1634 Medium Oil on canvas Dimensions 101.1 x 80.2 cm (39.8 x 31.6 in) cyf
Painting ID::  78636
Dyck, Anthony van
Portrait of Venetia, Lady Digby
1633-1634 Medium Oil on canvas Dimensions 101.1 x 80.2 cm (39.8 x 31.6 in) cyf
   
   
     

Dyck, Anthony van Portrat der Marchesa Balbi oil painting


Portrat der Marchesa Balbi
ca. 1625(1625) Medium Oil on canvas Dimensions 183 x 122 cm (72 x 48 in) cyf
Painting ID::  79219
Dyck, Anthony van
Portrat der Marchesa Balbi
ca. 1625(1625) Medium Oil on canvas Dimensions 183 x 122 cm (72 x 48 in) cyf
   
   
     

Dyck, Anthony van Portrat der Elisabeth oder Theresia Shirley in orientalischer Kleidung oil painting


Portrat der Elisabeth oder Theresia Shirley in orientalischer Kleidung
1622(1622) Medium Oil on canvas cyf
Painting ID::  79633
Dyck, Anthony van
Portrat der Elisabeth oder Theresia Shirley in orientalischer Kleidung
1622(1622) Medium Oil on canvas cyf
   
   
     

Dyck, Anthony van Mary Stewart oil painting


Mary Stewart
ca. 1636(1636) Medium Oil cyf
Painting ID::  80729
Dyck, Anthony van
Mary Stewart
ca. 1636(1636) Medium Oil cyf
   
   
     

Dyck, Anthony van Portrat Karl des I oil painting


Portrat Karl des I
1635-1636 Medium Oil on canvas Dimensions 85 x 100 cm cyf
Painting ID::  82751
Dyck, Anthony van
Portrat Karl des I
1635-1636 Medium Oil on canvas Dimensions 85 x 100 cm cyf
   
   
     

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     Dyck, Anthony van
     Flemish Baroque Era Painter, 1599-1641 Flemish painter and draughtsman, active also in Italy and England. He was the leading Flemish painter after Rubens in the first half of the 17th century and in the 18th century was often considered no less than his match. A number of van Dyck's studies in oil of characterful heads were included in Rubens's estate inventory in 1640, where they were distinguished neither in quality nor in purpose from those stocked by the older master. Although frustrated as a designer of tapestry and, with an almost solitary exception, as a deviser of palatial decoration, van Dyck succeeded brilliantly as an etcher. He was also skilled at organizing reproductive engravers in Antwerp to publish his works, in particular The Iconography (c. 1632-44), comprising scores of contemporary etched and engraved portraits, eventually numbering 100, by which election he revived the Renaissance tradition of promoting images of uomini illustri. His fame as a portrait painter in the cities of the southern Netherlands, as well as in London, Genoa, Rome and Palermo, has never been outshone; and from at least the early 18th century his full-length portraits were especially prized in Genoese, British and Flemish houses,

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